I was a born
artist, a prodigy!
I can’t
prove it beyond this point, because I myself have destroyed a large number of scribbles
and paintings that I have done as a small child.
My maternal
grandfather was a poet.
And my paternal
grandfather a painter. His name is Krothapally Subrahmanyam, migrated to Chennai
and has become a successful commercial artist. I have never learnt art from him
except for a few tips orally.
Meanwhile at
school, they took an evil pleasure in demoting me twice or thrice. Teachers lacked
the spirits for teaching children. In India student- teacher ratio is bad.
Those who studied with me have gained good salaried jobs but they are also nondescript
persons, acting as petty naukars and gumasthas of the corporates.
College is another place I detested, I hated book-keeping, while my father and brother insisted I pursue chartered accountancy after graduation.Very soon, I quit my college education to study in an art school. Continued my diploma course in fine art for two years, and I later quit that too.
The art school
lacked instructors who could teach practical methods and I found it regressive.
Every art
skill that I gained, I attribute it to my self-exploration, by and large I am a
self-taught artist.
I hated
participating in art shows, I realised it even when I was young, it only
incurred expenses and I knew my art work is bound to be rejected. In Chennai
jurors and selectors are semi literates and corrupt to the core, I bothered
least about them. As an exception to this, on only one occasion, I had sent my entry
to the AIFACS’ National art exhibition, New Delhi, wherein I was awarded a cash
scholarship and a certificate for the “best drawing” category.
For about a
year I worked in a craft museum cum heritage centre, the project envisioned by
Laurie Baker. My honorarium was borne by grant of the Ford foundation. I also
taught art at a Krishnamurti inspired school for sometime.
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| When I broke my foot, |
These two assignments
are undertaken by me in capacity of an artist, under pay roll of an organisation.
Rest of the times I functioned as a teacher. I have encouraged numerous
underprivileged people to take up art as profession. Another vocation I took interest
is revival of lost South Indian crafts with special emphasis on Srikalhasti
school of Kalamkari. We have conducted several workshops with help of my mentor
Mr Mapeti Ramachandra Reddy. It is not out of place to mention the contribution
of my mentor Ramachandriah to my research, adopting ancient visual language and
symbols and converting them to the language of modern art. I, my students and our
friends are immensely benefited by his knowledge.
My visits to
the Chennai Goverment. Museum have given me various insights about ancient Indian
sculpture, design and ornamentation and the exposure to archaeology.
I always
felt art is a practical field, and demonstrations are vital. I have done
countless demonstrations for my students and my acquaintances. Even to this day (when
I no longer wish to meet people), my art demos are released time to time on my youtube
channel. Even If one person is benefited watching my demonstrations, I feel it
an honour and our efforts recognized.
I am also
advocating using cheap and easily available art materials for art. In modern
age art should be compact, small, and affordable and it must be in position to
ship easily. I stopped doing paintings on canvas, I not only hated to interact
with carpenters and framers, bit it escalated the cost. Heavy thick framed art
doesn’t necessarily mean it is a good art. All my works are on paper -could be
custom framed by the prospective buyer.
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| Drawn with Harpic |
If you are
looking for unconventional original art, Contact Me.
I live in
Rajahmundry presently; the great Godavari River is only few kilometres away
from my studio cum residence.
Thank you
all for the patient reading. Your feedback is appreciated.
Srinivas
Krothapally
20-April’2020
Rajamahendri








































